Photograph taken by Doc Rowe during session at English Country Music Weekend, Ampthill, 2009

Singing has always been an important part of my life. I was a member of a choir at primary school and eventually graduated to every possible choir going at the next school I attended in Guildford, where I was lucky enough to receive a very good grounding  in singing technique and sight reading.

Choral singing
I later became a member of various other choirs,large and small, but as a member of Guildford Choral Society I had the privilege of performing many stunning choral works, and making a number of commercial recordings as part of their semi-chorus.

Traditional Song
Running in tandem with all that, however, was my principal and life-long musical passion - English traditional song and music. I have absolutely no idea where this love sprang from, but I can remember
buying a copy of the Penguin Book of English Folksong with my pocket money when I was not much more than 9 years old! After that I sang for my own pleasure for many years  but, although I was invited to, I never had the courage to stand up and sing on my own in public until shortly after I attended my first folk festival in 1991, and more importantly  attended a harmony workshop run by the group Bread and Roses.

As a result of that workshop I fell into  a harmony singing partnership with Jane Ravenhill ,an organiser of the Ram Folk Club which I had been attending regularly. Jane can take the credit for unexpectedly forcing me up on stage to sing on my own one week .The partnership ran for a couple of years, followed by a long gap with no singing in public at all , although I continued going to folk festivals such as Towersey, and the much missed National Folk Music Festival  at Sutton Bonington . Eventually I took my courage in both hands and entered the song competition at the National, and
to my surprise  became the holder of the title of "Singer of the National 2000", thus gaining an engraved pewter mug. (My only concession to the stereotype of a traditional folksinger).

I was then lucky enough to receive masterclass tuition and guidance from Eddie Upton and Shirley Collins at Folk South West's "In the Tradition" Easter schools in Bath in 2001 and 2002, where I met Mike Bosworth from Cornwall, and we eventually went on to produce two shows in Guildford about the folksong collectors the Rev Sabine Baring-Gould and Lucy Broadwood. I am  indebted to both
Eddie and Shirley for the encouragement that they showed both of us after the 2002 Easter School, and also to Lawrence Heath for giving me the opportunity to present the shows at the Electric Theatre in Guildford in 2004 under the banner of his Electric Voices organisation..

Research - Lucy Broadwood and Talks

Following those two shows, in what spare time I have had , I have undertaken further research into the life and work of Lucy Broadwood and, as a result of this, I have given many public talks on her to local history societies and organisations , at folk festivals, folk clubs and events (most notably at Sidmouth and Whitby festivals during the 150th anniversary year of Lucy's birth) ranging from talks at Broadstairs Folk Festival, the English Country Music Weekend, Whitby Folk Week's 50th anniversary year,and the East Anglian Traditional Music Trust's Folk Day in Suffolk, and even a show in Rusper Church (where Lucy is buried) with Martyn Wyndham-Read, Iris Bishop,Craig and Robson, and the Broadwood Morris in 2017.

I consider I can now call myself an experienced public performer of unaccompanied traditional song, and I really enjoy sharing  the songs that I love with others. I have sung at various festivals and folk clubs, and have now  been one of the resident singers at the Music Institute Club in Guildford, Surrey for more than 15 years.

In 2008-2010 I had the pleasure of presenting the show "Listen and You Shall Hear" (an examination in words and song of the life and work of Lucy Broadwood) both as a solo performer, and with my friend, the talented multi-instrumentalist and arranger, Ralph Jordan. We  performed the show in a range of venues and for a number of different organisers - the Surrey History Centre in Woking, Surrey (where many of Lucy Broadwood's personal papers and diaries are held); a fund-raising event for Guildford Choral Society; performances at the English Country Music Weekend, the Traditions Festival in Preston, the Bradfield Traditional Music Weekend; and at the Black Diamond and Royal Oak Folk Clubs in Birmingham and Lewes, Sussex respectively, to name just a few. We had been in conversation about producing a CD of the work we had covered in the show, but sadly, due to Ralph's death early in 2014, this was not to be. He is greatly missed by many.

As a result of his  influence I  embarked on the long and rocky road of learning how to play the Maccann duet concertina - who knows, at some point I may even get to the stage where I can accompany myself . It's takiing a while!

In 2019 I became involved with a TV production about Christmas carols which was fronted by Lucy Worsley, and began research into a local singer, the carter Henry Garman and his associations with Vaughan Williams and the Rev John Broadwood. I was interviewed for the programme, and supplied a certain amount of research information in the preparation of my section. The programme aired in December 2019, and December 2020.

My research into Lucy and Henry continues.

I am always happy to present a talk, or an extended talk/song event about this interesting and important lady, Henry Garman, or indeed provide an evening of unaccompanied folksongs (both traditional and more modern in nature, and not necessarily related to Lucy !) . (See the contact page for details).

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